CREATIVITY – UNPREDICTABILITY AND INFORMATION PRODUCTION


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Rabinovich М. I. CREATIVITY – UNPREDICTABILITY AND INFORMATION PRODUCTION. Izvestiya VUZ. Applied Nonlinear Dynamics, 2014, vol. 22, iss. 2, pp. 16-24. DOI: https://doi.org/10.18500/0869-6632-2014-22-2-16-24


It is possible or not using formulas to penetrate the most intimate sphere of human cognitive functions – his creative laboratory. After all, even the air in this sphere filled with ambiguity and  improvisation. In the last three-five years, such attempts are verysuccessfully taken by the  physiologists, psychologists and experts in nonlinear physics. In this article we look at two examples  of creative processes – writing poems and jazz improvisation. From a mathematical point of view,  these processes have much in common and are based on universal principles of mental dynamics.

DOI: 
10.18500/0869-6632-2014-22-2-16-24
Literature

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3. Afraimovich V.S., Zhigulin V.P., and Rabinovich M.I. On the origin of reproducible sequential activity in neural circuits // Chaos. 2004. Vol. 14. P. 1123. doi:10.1063/1.18196252004

4. Rabinovich M.I., Afraimovich V.S., Bick C., and Varona P. Information flow dynamics in the brain// Phys. Life Rev. Vol. 9. P. 51. doi:10.1016/j.plrev.2011.11.002.2012

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BibTeX

@article{Рабинович -IzvVUZ_AND-22-2-16,
author = {М. I. Rabinovich },
title = {CREATIVITY – UNPREDICTABILITY AND INFORMATION PRODUCTION},
year = {2014},
journal = {Izvestiya VUZ. Applied Nonlinear Dynamics},
volume = {22},number = {2},
url = {https://old-andjournal.sgu.ru/en/articles/creativity-unpredictability-and-information-production},
address = {Саратов},
language = {russian},
doi = {10.18500/0869-6632-2014-22-2-16-24},pages = {16--24},issn = {0869-6632},
keywords = {Creative ability,cognitive instabilities,information dimension,surprise in poetry and jazz improvization.},
abstract = {It is possible or not using formulas to penetrate the most intimate sphere of human cognitive functions – his creative laboratory. After all, even the air in this sphere filled with ambiguity and  improvisation. In the last three-five years, such attempts are verysuccessfully taken by the  physiologists, psychologists and experts in nonlinear physics. In this article we look at two examples  of creative processes – writing poems and jazz improvisation. From a mathematical point of view,  these processes have much in common and are based on universal principles of mental dynamics. }}